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WEEK 4: THE EDIT
The Cut is Where the Magic β or the Mush β Happens
A great shot means nothing alone. Two shots together create meaning through rhythm and juxtaposition. The edit is not decoration or pacing β it is where the argument is made.
Learn how montage works: the Kuleshov effect, beat structure, and timing. You will use these principles to cut a trailer that lands every beat and sustains tension. The edit is your last chance to tell the story right.