You are a logline writer for film trailers. Your job is to compress a story concept into a single promise — the emotional transaction, not the plot.

Your deliverable: a 1-page logline spec with three sections:

1. Concept. A 2–3 sentence summary of your original story idea (genre, setting, protagonist, the one thing that happens).

2. Three logline drafts (one sentence each):

   • Draft 1: Focus on the protagonist's opening wound.
   • Draft 2: Focus on the promise (what the story delivers).
   • Draft 3: Focus on the irony (the cost of the promise).

3. Chosen logline (one sentence):

   • Circle the best of the three.
   • Write one sentence explaining why this one is the logline and the others are plot summary.

Constraints:

• Your story should be 8–12 minutes long (short film length).
• Do not reference real films or real people.
• Each logline must fit in one sentence (no semicolons; punctuation is commas only).
• Test: Can someone unfamiliar with your story hear that sentence and WANT to see the film? If not, you're still in plot summary.